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On this episode of Ghost Hunters.

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For the first time ever, Taps is called on to look for the ghost of an old friend.

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Maybe our friend Mr. Tenny could still be walking around.

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During the funeral I looked up, I saw Mr. Tenny looking down at the crowd.

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Do Jason and Grant know the face that goes with these footsteps?

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Look, it starts to pick up speed. That's so weird. How's it going?

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At Bellcourt Castle, are Steve and Tango hearing the sounds of death from above?

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Gee, how did that come from?

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Wait, what was that noise?

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Then Taps heads to Massachusetts to investigate Sacco's bull haven.

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My employees are claiming they hear the ghost of Charlie.

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Yeah, hello? Is anybody back here?

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Come join us. Oh shoot, look. I think we found Charlie.

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There's nothing but a faulty gas valve.

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It's Chris. Hey Chris, hold on. Put you on speaker.

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Hey guys, how are you doing? Good.

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I have a case I want to run by. You call Bellcourt Castle in Newport, Rhode Island.

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Bellcourt Castle? Yeah. Grant and I used to go there all the time.

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Oh great, so you guys are already familiar with it then?

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There's a lot of claims over there. Grant and I knew the titties very well.

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Yeah, but we haven't been there in like ten years. So what's going on?

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There's apparitions that will walk down hallways and disappear into locked rooms.

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Yeah. People have heard voices, doors open and closed, blankets have been tugged off beds.

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It's nice, it's local, we can go home after, absolutely.

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We'll be there in just a few. Okay, sounds good.

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About ten years ago, Grant and I and some other Taps investigators came out and investigated this location.

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And you know, there were some strange things that happened, footsteps, things of that nature.

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But we're coming back with a lot better equipment than we had ten years ago.

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So I'm hoping that we're able to debunk a lot of these claims this time.

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I've never been to the Bell Court Council to investigate.

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I know Taps has investigated there before, but I wasn't part of that investigation.

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Jason and Grant have told me about their past experiences there, and I'm really excited to get there.

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And I think it'll be a great time.

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Here we go. I like seeing all these mansions.

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Look at that, beautiful.

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I like that one. Yeah, it's cool.

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Alright, here we go, here we are, dude.

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Oh my God, it's huge.

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Look at this thing.

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I don't think I've ever seen anything like it.

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This is going to be awesome.

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I'm Jason. Charles, welcome to Bell Court Castle.

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Grant, nice to meet you, Charles.

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Nice to meet you. Steve. Thank you for coming.

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Taps was here about ten years ago, but new experiences, new activity happened,

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and we've decided to open up the house to them again just to get more answers.

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Alright, Charles, so what's some of the history here?

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Bell Court Castle was built between 1891 and 1894 as a summer residence for Oliver Hazard Perry Belmont.

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In 1956, the Tinney family purchased the house, and they opened it to the public in 1957.

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The Tinney family moved in with a collection of antiques and art from 33 European and Oriental countries.

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Now what are some of the reports? Anything in this area?

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One day during dinner, Mrs. Tinney and I were seated at one of the long tables in the room,

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and a ball of light appeared above the crown on the gold coronation coach.

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Just in the coach room, just beyond here.

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That same time, we saw distortions in the mirrors on this side of the room.

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What do you mean by distortion?

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Imagine looking over a barbecue and you see the air all distorted. Something, a ripple.

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Okay. Alright, so where to now?

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In the family chapel, we have a very unusual statue.

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It's the German wood carving of the monk.

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Yeah, we've heard about the monk.

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Two weeks into their marriage, Mrs. Tinney saw a man in brown robes standing over her bed.

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She reached over to her side and realized her husband was still in bed with her,

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and then the man walked out through the wall.

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The statue was within 20 feet of their bed at that time,

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and the activity of a man in robes around the house has been always around this statue.

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We were having a piano concert upstairs, and we had a security guard watching the front door down here in the solarium.

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We had a bank of TV monitors, and he looked at the monitor and he saw it look like the monk standing under the chandelier.

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He looked around the corner. There was nobody standing under the chandelier,

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but he could see the image on the TV monitor, and then it just disappeared.

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Alright, where to now?

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We're going to the ballroom next.

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Now this is where you feel like you're in a castle.

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So it goes out in here.

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The suits of armor, battle armor from the 15th century in Italy.

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The two guests had just finished a tour with Mrs. Tinney,

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and Mrs. Tinney, I told them about the haunted suit of armor,

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and while we were talking about it, the suit of armor had actually turned its head,

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so it was staring at us.

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And the other person on the tour pointed it out,

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and we all agreed that it had turned its head.

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Alright.

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Other things in this room are the two salt chairs.

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They were used for the storage of salt,

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and people have claimed to have felt a sensation of electricity in those chairs.

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When Mr. Tinney passed away, his service was held at the ballroom.

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I was at the back of the crowd, and I just looked up into the orchestra loft.

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As I looked up there in the second to last trip oil, I saw Mr. Tinney.

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It was a white shirt, black pants, hands behind his back, looking down at the crowd,

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and he looked at me and I thought, well, that's a nice thing to see,

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because he was a friend.

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That's interesting because we knew Mr. Tinney,

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and so it would be interesting to investigate him.

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I mean, then you need if he was still here.

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Alright, well, it looks like we definitely got our work cut out for us.

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Sure do.

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What we're going to do from here is go down and talk to the rest of the crew,

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and we're going to start trying to cover as much of the area as we can with equipment.

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Alright, thank you very much.

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Thank you very much.

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We just got done with the tour with Charles, and it's good to be back.

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It sounds like they have a lot of the same problems as they did before.

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I just think maybe right now we're better qualified to come back and get to the bottom of them.

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It needs to go up a little bit, please.

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That's good right there.

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I think one of the problems we're going on into tonight is just trying to address the right entity.

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There could be people here from the 1800s,

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maybe our friend Mr. Tinney that we used to talk to all the time could still be walking around.

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There he is, Mr. Tinney.

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All set.

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Guys, these are our camera angles.

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Let me know if you like them.

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Angle one is the ballroom.

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We were able to get the main salt chair and the armor.

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Camera two here is the shot.

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It's in the ballroom, but we're shooting up at the music gallery where Mr. Tinney has been seen up there sort of peeking down over the ballroom.

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This is actually the banquet room, and this is the big chandelier.

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We also have the mini-DV covering inside the chapel.

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Perfect.

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This last camera here is Mrs. Belmont's bedroom.

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Beautiful.

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Good job.

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Let's get digital recorders of all the cameras to go lights out.

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Okay, guys.

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Cool.

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All right.

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Nice work.

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Let's do this.

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All right, this is going to be good.

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Okay, Jane Grant heading into the banquet hall.

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Grant and I did a thermal sweep of the banquet hall to investigate claims of a man cloaked in a robe,

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mirror distortions, and balls of light over the carriage.

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The walking?

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Here?

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The footsteps?

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Squeaky floor?

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Somebody's walking up there.

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There's definitely walking upstairs, right?

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It sounds like walking on a squeaky floor.

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Hey, let's do some EVP work.

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Hello, it's Jane Grant, and we're back again.

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Walk around a little bit more.

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It's just happening again.

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We're hearing what sounded like footsteps above us,

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so Grant and I decided to head up one level and see if we could find the source.

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Oh, into the creepiness.

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Hey, Jay, wait.

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You're going to look at this.

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Jay, keep following something here.

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Oh, yeah.

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Wow.

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Very odd.

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We started getting some interesting K2 hits.

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There's a wicked hotspot here.

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What?

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Is that like, maybe footsteps?

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What's going on?

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It is insane.

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I need to rewind this.

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I need to know what the hell that was.

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Steve, do me a favor, come up to the second floor for a sec.

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Steve, come here.

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I want to show you something.

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Watch.

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Wow.

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That's amazing.

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Look at me.

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I need to know what the hell that was.

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Steve, come here.

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Watch.

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Okay, see it way down there.

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Yeah.

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Wow.

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We move and it doesn't start to move until after we're moving.

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That's so weird.

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And there's no other reflection.

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Now see where it is in relation to the door?

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Watch.

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We start walking towards it.

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It's moving.

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Look, it starts to pick up speed.

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As we move closer to it, it starts to move.

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It's moving.

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It's moving.

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It's moving.

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It's moving.

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It's moving.

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And again, as you see, as we move closer to it, it seemed to move faster and faster to get away from us.

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That's amazing.

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What could it be?

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I don't know.

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I mean, if it was a road, it would imagine you'd see it.

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Yeah, we would have seen it, but look, it appears almost like a foot.

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Oh yeah, it almost has like a heel-toe type of thing.

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Let's go on.

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Is that weird?

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It's awesome.

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I don't know what to make of it.

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To me, it looked like the heel was going down like a footstep.

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Like you'd see the heel and then it rolls to the ball of the feet and then just keep doing that.

201
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It wasn't a rodent, it was right in front of us.

202
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We would have seen it or heard it,

203
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so we have no idea what that was.

204
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I just need you to know where it is on the tape

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because you need to analyze it.

206
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Yeah, and do it on the big screen.

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Sure, I'll write it down as soon as I get downstairs.

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There's something very creepy about an empty suit of armor,

209
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but they probably saw some pretty scary stuff.

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He made an identification of the ballroom

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of Velcourt Castle.

212
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Some of the reports are that during Mr. Timmy's funeral,

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people saw Mr. Timmy up there looking down at them.

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It was freaking me out to see his body physically over there.

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I have three people turn around to see him standing up there

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just watching.

217
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Yeah, it's not crazy.

218
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This is Kristen Amy in the ballroom at Velcourt Castle.

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Mr. Timmy, people have seen you in here before.

220
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If you're still here, could you please knock on the wall

221
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or one of these tables?

222
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You could touch one of us?

223
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You could rattle the armor?

224
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You don't need to be afraid of us.

225
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We're just very nice girls.

226
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We're just here visiting.

227
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It came a long way just to meet you.

228
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Family here wants some answers.

229
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You may not even be Mr. Timmy.

230
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Oh, I know.

231
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You know?

232
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You don't know what you're doing.

233
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Yeah.

234
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Can you please tell us your name?

235
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Please come right on over.

236
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Say hello.

237
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If you could come out and meet us, that would be wonderful.

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Does anything in the room belong to you?

239
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Unfortunately, we can't see you.

240
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Do you hear that?

241
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Yeah.

242
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It's not like floorboards creaking.

243
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If that was you, can you please do that again?

244
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We think we may have heard you for a second.

245
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Is that upstairs?

246
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Is somebody up there?

247
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I don't think anybody's up there.

248
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While we were doing some EVP work,

249
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we heard footsteps that we seem to think

250
00:12:34,040 --> 00:12:36,480
came from the spiral staircase.

251
00:12:36,480 --> 00:12:39,240
So we went right up the spiral staircase ourselves.

252
00:12:39,280 --> 00:12:40,520
Had there been anybody coming down,

253
00:12:40,520 --> 00:12:42,400
then we definitely would have run into them.

254
00:12:42,400 --> 00:12:45,480
Is somebody up here with us?

255
00:12:45,480 --> 00:12:47,400
Definitely make sure there's nobody in these rooms.

256
00:12:50,760 --> 00:12:53,200
We checked all along the musicians' gallery.

257
00:12:53,200 --> 00:12:54,960
There's nobody up here.

258
00:12:54,960 --> 00:12:55,960
Let's check the apartment room.

259
00:12:55,960 --> 00:12:58,240
Yeah, just make sure.

260
00:12:58,240 --> 00:13:00,040
We checked the third floor apartment.

261
00:13:00,040 --> 00:13:01,480
Hello?

262
00:13:01,480 --> 00:13:04,200
There's nobody up here.

263
00:13:04,200 --> 00:13:06,040
So that make any sense.

264
00:13:06,040 --> 00:13:07,920
Just to make sure that's what we were hearing,

265
00:13:07,920 --> 00:13:09,400
we tried recreating it.

266
00:13:17,600 --> 00:13:19,320
That's what it sounds like.

267
00:13:19,320 --> 00:13:20,840
It sounded exactly the same.

268
00:13:20,840 --> 00:13:23,880
So it does not make sense to me why we would have heard

269
00:13:23,880 --> 00:13:25,520
somebody on that spiral staircase.

270
00:13:25,520 --> 00:13:27,520
And if there was anybody coming down,

271
00:13:27,520 --> 00:13:28,920
then we would have run into them.

272
00:13:33,360 --> 00:13:34,720
You see these chairs here?

273
00:13:34,720 --> 00:13:35,520
Yeah.

274
00:13:35,520 --> 00:13:36,840
These are called salt chairs.

275
00:13:37,920 --> 00:13:39,480
They were hiding salt in there.

276
00:13:39,480 --> 00:13:40,520
Wow, really?

277
00:13:40,520 --> 00:13:41,440
Yep.

278
00:13:41,440 --> 00:13:43,600
Tangerine decided to investigate in the ballroom.

279
00:13:43,600 --> 00:13:48,200
Are you upset that mere poppers are sitting in your chairs?

280
00:13:51,960 --> 00:13:54,080
I've been told that I'm royalty.

281
00:13:54,080 --> 00:13:54,840
You're royalty?

282
00:13:54,840 --> 00:13:55,240
Yep.

283
00:13:55,240 --> 00:13:56,120
Like real royalty?

284
00:13:56,120 --> 00:13:56,760
Yeah.

285
00:13:56,760 --> 00:13:58,120
Alexander the Great.

286
00:13:58,120 --> 00:13:59,600
So you're related to Alexander the Great?

287
00:13:59,600 --> 00:14:00,080
I don't know.

288
00:14:00,080 --> 00:14:03,280
I'm not saying I am or I'm not, but I was told I was.

289
00:14:03,280 --> 00:14:05,680
Alexander, are you here with us?

290
00:14:05,720 --> 00:14:07,960
Your nephew wants to talk to you.

291
00:14:07,960 --> 00:14:09,440
I'm smelling.

292
00:14:09,440 --> 00:14:09,960
You're smelling?

293
00:14:09,960 --> 00:14:10,840
What do you smell?

294
00:14:13,400 --> 00:14:15,720
Steve, come over here and smell it.

295
00:14:15,720 --> 00:14:17,840
As I'm sitting down, I got this weird smell,

296
00:14:17,840 --> 00:14:20,880
almost like a perfume or something of a pottery smell.

297
00:14:20,880 --> 00:14:23,080
Steve, it's the wood.

298
00:14:23,080 --> 00:14:23,720
Right here.

299
00:14:23,720 --> 00:14:24,320
Smell right there.

300
00:14:24,320 --> 00:14:26,960
I'm a little wood.

301
00:14:26,960 --> 00:14:28,600
I smell it.

302
00:14:28,600 --> 00:14:30,040
It smells like a old lady perfume.

303
00:14:30,040 --> 00:14:31,200
Emotion or something.

304
00:14:31,200 --> 00:14:32,960
Man, I got a good nose.

305
00:14:32,960 --> 00:14:34,240
I'm smelling stuff like that.

306
00:14:36,440 --> 00:14:38,760
I'm telling you, I'm investigating in the banquet hall.

307
00:14:38,760 --> 00:14:40,640
And it's also one of the claims that

308
00:14:40,640 --> 00:14:43,280
revolved around the statue of a monk.

309
00:14:43,280 --> 00:14:47,960
Supposedly, everywhere this monk is, activity follows him.

310
00:14:47,960 --> 00:14:48,400
Hmm.

311
00:14:48,400 --> 00:14:49,800
You see apparitions around him?

312
00:14:49,800 --> 00:14:51,600
They did tell us that some of the claims

313
00:14:51,600 --> 00:14:52,760
seems to follow this statue.

314
00:14:52,760 --> 00:14:55,600
Wherever the statue is, activity happens.

315
00:14:55,600 --> 00:14:57,600
And that is a pretty intriguing phenomenon.

316
00:14:57,600 --> 00:14:59,880
We have been investigating for quite some time.

317
00:14:59,880 --> 00:15:04,080
You know, the ability for energy to be attached to or absorbed

318
00:15:04,080 --> 00:15:06,080
by an animate object.

319
00:15:09,080 --> 00:15:12,080
0.2, 0.3 over by the monk.

320
00:15:12,080 --> 00:15:14,080
Not much going on.

321
00:15:14,080 --> 00:15:16,080
I wonder how old this thing is.

322
00:15:16,080 --> 00:15:20,080
I mean, I know that this is 10th century right here.

323
00:15:20,080 --> 00:15:21,080
To me, this is amazing.

324
00:15:21,080 --> 00:15:24,080
Yeah, absolutely amazing.

325
00:15:24,080 --> 00:15:28,080
Oh, I like that company.

326
00:15:35,080 --> 00:15:37,080
Tangling our investigation in the banquet hall.

327
00:15:37,080 --> 00:15:39,080
And we're just trying to get any sort of sign,

328
00:15:39,080 --> 00:15:41,080
anything to interact with us.

329
00:15:43,080 --> 00:15:46,080
Oh, where did that come from?

330
00:15:46,080 --> 00:15:47,080
You know what?

331
00:15:47,080 --> 00:15:50,080
I guarantee you this chandelier shaped a bit.

332
00:15:50,080 --> 00:15:54,080
And all of a sudden, we heard a loud, almost a crashing bang sound

333
00:15:54,080 --> 00:15:56,080
that seemed to be coming from above us.

334
00:15:56,080 --> 00:15:58,080
I'm going to check up in here.

335
00:15:59,080 --> 00:16:02,080
I found Chris and Amy investigating in the ballroom directly above us.

336
00:16:02,080 --> 00:16:05,080
Did you guys do anything crazy? Like jump on the floor or anything?

337
00:16:05,080 --> 00:16:08,080
That would create our chandelier shape.

338
00:16:08,080 --> 00:16:11,080
Yeah, Steve, we bumped into a chair. Here, I'll do it again.

339
00:16:14,080 --> 00:16:17,080
Yep, that was it. Thank you.

340
00:16:17,080 --> 00:16:19,080
No problem.

341
00:16:19,080 --> 00:16:21,080
We were told by Chris that it was most likely just them.

342
00:16:21,080 --> 00:16:24,080
They bumped into something that joked the floor and made a sound.

343
00:16:24,080 --> 00:16:27,080
Unfortunately, nothing really as far as the paranormal going on.

344
00:16:27,080 --> 00:16:31,080
But, you know, we still have a lot more investigation time tonight,

345
00:16:31,080 --> 00:16:33,080
so hopefully we'll get something.

346
00:16:36,080 --> 00:16:38,080
Grant and I headed up to the second floor,

347
00:16:38,080 --> 00:16:40,080
where we had heard footsteps earlier in the evening.

348
00:16:40,080 --> 00:16:42,080
Shit.

349
00:16:46,080 --> 00:16:48,080
Okay, we're now heading into the bedroom.

350
00:16:48,080 --> 00:16:50,080
Okay, we're heading into the bedroom.

351
00:16:50,080 --> 00:16:52,080
Okay, we're heading into the bedroom.

352
00:16:52,080 --> 00:16:54,080
We're now heading into the bedroom.

353
00:16:55,080 --> 00:16:58,080
You could hear the footsteps right before we entered the room.

354
00:16:58,080 --> 00:17:01,080
You could hear what sounded like somebody walking in there.

355
00:17:13,080 --> 00:17:15,080
We could hear you walking around from downstairs.

356
00:17:15,080 --> 00:17:18,080
Why do you stop when we come in the room?

357
00:17:19,080 --> 00:17:22,080
Maybe he doesn't like when people are in the room.

358
00:17:23,080 --> 00:17:26,080
There's no one, no one up here whatsoever.

359
00:17:26,080 --> 00:17:27,080
What the heck?

360
00:17:27,080 --> 00:17:28,080
There's no one up here.

361
00:17:28,080 --> 00:17:30,080
We're here from downstairs. We're here on the other side of the door.

362
00:17:30,080 --> 00:17:31,080
If you walk in.

363
00:17:31,080 --> 00:17:33,080
All right, do this. Go downstairs.

364
00:17:33,080 --> 00:17:35,080
I'm gonna wait up here alone.

365
00:17:35,080 --> 00:17:38,080
At that point, Grant decided he was gonna head off to another room

366
00:17:38,080 --> 00:17:41,080
while I tried to hang in that bedroom to see if I could make any contact.

367
00:17:41,080 --> 00:17:43,080
There's just a vice right here.

368
00:17:44,080 --> 00:17:46,080
It's called a K2 meter.

369
00:17:46,080 --> 00:17:49,080
The K2 meter picks up magnetic fields and frequencies.

370
00:17:49,080 --> 00:17:54,080
And one of the theories out there is that the spirits are giving off this magnetic frequency

371
00:17:54,080 --> 00:17:58,080
lighting up the lights in the device, allowing us a way to communicate back and forth.

372
00:17:58,080 --> 00:18:01,080
Now, it definitely feels like to me that someone's here with me.

373
00:18:02,080 --> 00:18:04,080
I heard you walking while I was downstairs.

374
00:18:05,080 --> 00:18:07,080
Why so attracted to this room?

375
00:18:08,080 --> 00:18:11,080
All right, can you walk in front of this device right here?

376
00:18:12,080 --> 00:18:14,080
Did you know Mr. Tinney before he passed away?

377
00:18:15,080 --> 00:18:18,080
I did. He was an incredible guy.

378
00:18:20,080 --> 00:18:22,080
Oh, oh, oh. There it goes.

379
00:18:22,080 --> 00:18:25,080
During that time, the K2 started going on and off by itself,

380
00:18:25,080 --> 00:18:28,080
which gave me the impression that something was by it.

381
00:18:29,080 --> 00:18:31,080
Can you do it again?

382
00:18:33,080 --> 00:18:35,080
Can you light it up again?

383
00:18:35,080 --> 00:18:37,080
Just light it up for yes.

384
00:18:38,080 --> 00:18:40,080
All right, I'm gonna come over to it.

385
00:18:40,080 --> 00:18:42,080
I'm gonna try to put it in a better spot.

386
00:18:42,080 --> 00:18:45,080
How about this? Put it right here for you.

387
00:18:45,080 --> 00:18:47,080
Nice, down low.

388
00:18:50,080 --> 00:18:53,080
All right, so the device is over there on the table.

389
00:18:54,080 --> 00:18:56,080
Can you light it up for me?

390
00:18:56,080 --> 00:18:59,080
All you gotta do is wave your hand in front of it.

391
00:19:00,080 --> 00:19:02,080
If you want me to leave,

392
00:19:03,080 --> 00:19:06,080
all you have to do is light it up once.

393
00:19:07,080 --> 00:19:09,080
And I respectfully leave.

394
00:19:10,080 --> 00:19:12,080
So if you light that device up,

395
00:19:13,080 --> 00:19:16,080
I'll leave. Nope. Okay, all right.

396
00:19:18,080 --> 00:19:21,080
Okay, I'm gonna come get my device now then.

397
00:19:22,080 --> 00:19:24,080
And the K2 started going crazy,

398
00:19:24,080 --> 00:19:27,080
which told me that this thing wanted me out of the room.

399
00:19:27,080 --> 00:19:28,080
Thank you very much.

400
00:19:28,080 --> 00:19:30,080
I grabbed my stuff and headed out.

401
00:19:34,080 --> 00:19:36,080
Wow, look at that chandelier.

402
00:19:36,080 --> 00:19:37,080
That's cool.

403
00:19:37,080 --> 00:19:39,080
Want me to try a laser? Yeah.

404
00:19:47,080 --> 00:19:48,080
Dance, babe.

405
00:19:54,080 --> 00:19:57,080
Good? Yeah. All right.

406
00:19:58,080 --> 00:20:00,080
Steve, Tanago, Chris, Amy, we're gonna call it.

407
00:20:00,080 --> 00:20:02,080
So let's get the lights on and start wrapping up.

408
00:20:02,080 --> 00:20:04,080
Sounds good.

409
00:20:08,080 --> 00:20:10,080
Hey, Charles. Hi.

410
00:20:10,080 --> 00:20:12,080
So, interesting night.

411
00:20:12,080 --> 00:20:14,080
We got a lot of evidence to go over,

412
00:20:14,080 --> 00:20:16,080
and we'll do that over the next few days.

413
00:20:16,080 --> 00:20:18,080
We'll come back soon. I'll let you know when we find out.

414
00:20:18,080 --> 00:20:20,080
Get some sleep. We'll see you soon, okay?

415
00:20:20,080 --> 00:20:22,080
Thank you very much. Good night.

416
00:20:28,080 --> 00:20:30,080
Bell Court Castle. What did you think?

417
00:20:30,080 --> 00:20:32,080
I loved it. It was such a cool place.

418
00:20:32,080 --> 00:20:34,080
It was beautiful. It was cool.

419
00:20:34,080 --> 00:20:36,080
It was really cool to be around things that

420
00:20:36,080 --> 00:20:38,080
you know, are from the 10th century.

421
00:20:38,080 --> 00:20:40,080
That's crazy. Many evil times.

422
00:20:40,080 --> 00:20:42,080
Tanago and I are getting ready to review the evidence

423
00:20:42,080 --> 00:20:44,080
for the Bell Court Castle. That was a really big place,

424
00:20:44,080 --> 00:20:46,080
and we ran a lot of equipment.

425
00:20:46,080 --> 00:20:48,080
A lot of mini-DVs. We ran a lot of DVR cameras

426
00:20:48,080 --> 00:20:50,080
and a lot of audio. We have to watch it all

427
00:20:50,080 --> 00:20:53,080
and look for everything that they claim is happening.

428
00:20:59,080 --> 00:21:01,080
Hey, Tanago. What's up?

429
00:21:01,080 --> 00:21:03,080
I have this thermal clip here.

430
00:21:03,080 --> 00:21:05,080
At the investigation, Jason had asked me to play it

431
00:21:05,080 --> 00:21:07,080
on the larger screen so we can analyze it a bit better.

432
00:21:07,080 --> 00:21:09,080
See this globule right here?

433
00:21:09,080 --> 00:21:11,080
Yeah. This sort of round shape.

434
00:21:11,080 --> 00:21:13,080
It's moving. They're following me.

435
00:21:13,080 --> 00:21:15,080
You can tell it's moving because they're getting closer to that door jam.

436
00:21:15,080 --> 00:21:17,080
I'm going to try and slow motion Dave

437
00:21:17,080 --> 00:21:19,080
and see if we can get a better visual

438
00:21:19,080 --> 00:21:21,080
of how it's moving or what maybe it's made up of.

439
00:21:21,080 --> 00:21:23,080
That's really weird.

440
00:21:23,080 --> 00:21:25,080
Now, if there was an animal just under the floor there,

441
00:21:25,080 --> 00:21:27,080
and you wouldn't be able to see through that,

442
00:21:27,080 --> 00:21:29,080
because I know when police use thermal,

443
00:21:29,080 --> 00:21:31,080
they can't really see through the floor.

444
00:21:31,080 --> 00:21:34,080
I mean, it's definitely something that's doing its own thing.

445
00:21:34,080 --> 00:21:37,080
I don't know what to make of it, so I'm going to show it to them.

446
00:21:37,080 --> 00:21:39,080
Weird. Thanks.

447
00:21:51,080 --> 00:21:53,080
Hey Dave.

448
00:21:53,080 --> 00:21:54,080
What's up?

449
00:21:54,080 --> 00:21:57,080
I have audio here from Chris and Amy.

450
00:21:57,080 --> 00:21:58,080
Okay.

451
00:21:58,080 --> 00:22:01,080
They're investigating in the ballroom.

452
00:22:01,080 --> 00:22:03,080
Take a listen to it.

453
00:22:04,080 --> 00:22:06,080
It's definitely there.

454
00:22:20,080 --> 00:22:22,080
Charles, it's good to see you again.

455
00:22:22,080 --> 00:22:24,080
Thank you so much for coming back.

456
00:22:24,080 --> 00:22:26,080
How you been? Okay. Pretty good.

457
00:22:26,080 --> 00:22:28,080
You're going to find out what you've discovered about Belcourt Castle.

458
00:22:28,080 --> 00:22:30,080
Well, you know what we did.

459
00:22:30,080 --> 00:22:33,080
We came in, you told us about the activity, took Senator in the home.

460
00:22:33,080 --> 00:22:35,080
We started checking out the entire property.

461
00:22:35,080 --> 00:22:39,080
At one point, Chris and Amy, who are two of our investigators,

462
00:22:39,080 --> 00:22:43,080
were up in this area, and they heard someone either walking up

463
00:22:43,080 --> 00:22:45,080
or walking down the spiral staircase.

464
00:22:45,080 --> 00:22:47,080
And it was extremely loud.

465
00:22:47,080 --> 00:22:49,080
Quickly, they headed right over there.

466
00:22:49,080 --> 00:22:51,080
There was absolutely nobody there.

467
00:22:51,080 --> 00:22:54,080
That's something that people have experienced.

468
00:22:54,080 --> 00:22:57,080
So now also during the night, Grant and I were in this area,

469
00:22:57,080 --> 00:22:59,080
and we were hearing what sounded like footsteps,

470
00:22:59,080 --> 00:23:01,080
and moving around, and opened the door handle,

471
00:23:01,080 --> 00:23:03,080
looked, the sound instantly stopped.

472
00:23:03,080 --> 00:23:05,080
Nobody? There was nobody in there.

473
00:23:05,080 --> 00:23:07,080
Nobody around the area? Nobody anywhere.

474
00:23:07,080 --> 00:23:09,080
Throughout the entire building.

475
00:23:09,080 --> 00:23:11,080
So we came through this room that we're in now,

476
00:23:11,080 --> 00:23:13,080
and we headed to the back room.

477
00:23:13,080 --> 00:23:15,080
From there, I stayed in the room for a little while.

478
00:23:15,080 --> 00:23:18,080
I had a K2 meter, which picks up magnetic fields.

479
00:23:18,080 --> 00:23:19,080
Right.

480
00:23:19,080 --> 00:23:21,080
During that time, I tried to make contact.

481
00:23:21,080 --> 00:23:24,080
A few times, I did get some blips on the meter.

482
00:23:24,080 --> 00:23:26,080
Finally, I just said, you know what?

483
00:23:26,080 --> 00:23:28,080
If you want me to leave this room, if you don't want me here,

484
00:23:28,080 --> 00:23:30,080
and you want this room back,

485
00:23:30,080 --> 00:23:32,080
then you have to make the device light up.

486
00:23:32,080 --> 00:23:35,080
And sure enough, it lit up, and it lit up solid.

487
00:23:35,080 --> 00:23:38,080
Now during the night, Grant and I spent a lot of time

488
00:23:38,080 --> 00:23:40,080
on this floor walking up and down.

489
00:23:40,080 --> 00:23:42,080
We were heading down the hallway.

490
00:23:42,080 --> 00:23:46,080
There appeared to be some sort of a heat signature on the floor,

491
00:23:46,080 --> 00:23:48,080
and it was moving.

492
00:23:48,080 --> 00:23:50,080
We were able to catch that on the thermal,

493
00:23:50,080 --> 00:23:52,080
so we're going to show it to you real quick,

494
00:23:52,080 --> 00:23:54,080
and get your take on it.

495
00:23:54,080 --> 00:23:56,080
Okay, this is a thermal imaging camera.

496
00:23:56,080 --> 00:23:58,080
You see Jay's panning around.

497
00:23:58,080 --> 00:24:00,080
He focuses on it. What is that?

498
00:24:00,080 --> 00:24:02,080
As we move, it's moving.

499
00:24:02,080 --> 00:24:04,080
Sort of like stepping.

500
00:24:04,080 --> 00:24:07,080
There's the threshold, and it's gone.

501
00:24:07,080 --> 00:24:09,080
And you didn't see anything of your own eyes

502
00:24:09,080 --> 00:24:11,080
when you were in that location?

503
00:24:11,080 --> 00:24:13,080
No, you didn't feel anything?

504
00:24:13,080 --> 00:24:15,080
Didn't hear anything either.

505
00:24:15,080 --> 00:24:17,080
It's a little unusual.

506
00:24:17,080 --> 00:24:19,080
We've had situations before where there's been a nesting animal

507
00:24:19,080 --> 00:24:21,080
on a wall, and you can see it.

508
00:24:21,080 --> 00:24:23,080
But if that animal moves, you can't see it,

509
00:24:23,080 --> 00:24:26,080
because it's warmed up that spot in the nest.

510
00:24:26,080 --> 00:24:28,080
So at one point in the night, Chris and Amy

511
00:24:28,080 --> 00:24:30,080
went in this room.

512
00:24:30,080 --> 00:24:32,080
They were able to catch some strange sounds.

513
00:24:32,080 --> 00:24:34,080
They put a digital recorder on the table

514
00:24:34,080 --> 00:24:36,080
in front of the pseudo-armor that's supposed to

515
00:24:36,080 --> 00:24:38,080
make all sorts of chaos.

516
00:24:38,080 --> 00:24:40,080
I want to play those for you, and just tell me

517
00:24:40,080 --> 00:24:42,080
if it's something that sounds at least a bit familiar.

518
00:24:47,080 --> 00:24:50,080
To us, it sounded like a humming or a moaning,

519
00:24:50,080 --> 00:24:53,080
but it sounded female.

520
00:24:53,080 --> 00:24:55,080
Female?

521
00:24:55,080 --> 00:24:57,080
We'll play that again for you and let you hear it.

522
00:25:01,080 --> 00:25:03,080
You can hear it first out here.

523
00:25:05,080 --> 00:25:08,080
Did they hear any of that with their ears,

524
00:25:08,080 --> 00:25:10,080
only on the digital recorder?

525
00:25:10,080 --> 00:25:13,080
Only heard it on the digital recorder when they analyzed later.

526
00:25:13,080 --> 00:25:16,080
Have you guys heard a woman humming or moaning

527
00:25:16,080 --> 00:25:18,080
or anything like that?

528
00:25:18,080 --> 00:25:20,080
Well, I recall a story told to me by a tour guide

529
00:25:20,080 --> 00:25:23,080
who was with a group of tourists,

530
00:25:23,080 --> 00:25:26,080
and she was standing with her back toward the armor,

531
00:25:26,080 --> 00:25:29,080
and they all started to clap all of a sudden.

532
00:25:29,080 --> 00:25:31,080
And she said, what are you clapping for?

533
00:25:31,080 --> 00:25:33,080
I said, well, the woman in the ball gown came in

534
00:25:33,080 --> 00:25:36,080
and twirled around behind you and left

535
00:25:36,080 --> 00:25:39,080
in front of that armor.

536
00:25:39,080 --> 00:25:41,080
Well, interesting, because I mean,

537
00:25:41,080 --> 00:25:43,080
this was something that we didn't know about,

538
00:25:43,080 --> 00:25:45,080
and we've got what sounds like a woman near the armor.

539
00:25:45,080 --> 00:25:47,080
Well, Chris and Amy were in here.

540
00:25:47,080 --> 00:25:50,080
Chris was asking about the stuff in this area.

541
00:25:50,080 --> 00:25:53,080
Is this your stuff? Do you own this?

542
00:25:53,080 --> 00:25:56,080
And it sounded like we received a response.

543
00:25:56,080 --> 00:25:59,080
We'll play that for you and just let you hear it.

544
00:26:06,080 --> 00:26:10,080
It's very faint, but I'm hearing a man say yes.

545
00:26:10,080 --> 00:26:13,080
We'll play that again for you and let you hear it.

546
00:26:20,080 --> 00:26:22,080
So how do you explain that?

547
00:26:22,080 --> 00:26:24,080
There's, you know, only one person

548
00:26:24,080 --> 00:26:29,080
that would ever say anything like that, Mr. Tinney.

549
00:26:29,080 --> 00:26:32,080
Several people have claimed to have either heard him

550
00:26:32,080 --> 00:26:35,080
or seen him usually around the ballroom.

551
00:26:35,080 --> 00:26:39,080
It's not surprising, but it's a pleasant sort of discovery

552
00:26:39,080 --> 00:26:41,080
if that's what it is.

553
00:26:41,080 --> 00:26:45,080
We've come out here, and I think we've zoned in quite a bit

554
00:26:45,080 --> 00:26:47,080
on what may be going on here.

555
00:26:47,080 --> 00:26:50,080
Even back then, 10 years ago when we came here,

556
00:26:50,080 --> 00:26:53,080
Grant and I both felt that Bell Court Castle

557
00:26:53,080 --> 00:26:55,080
definitely had paranormal things going on.

558
00:26:55,080 --> 00:26:57,080
With the evidence that we've caught

559
00:26:57,080 --> 00:27:00,080
and the experiences that us and the other investigators have had,

560
00:27:00,080 --> 00:27:02,080
I still have to stick true to that feeling

561
00:27:02,080 --> 00:27:05,080
that I believe Bell Court Castle to be haunted.

562
00:27:05,080 --> 00:27:07,080
And I believe that over time,

563
00:27:07,080 --> 00:27:10,080
it would be able to turn up some incredible evidence

564
00:27:10,080 --> 00:27:12,080
with the equipment we bring in.

565
00:27:12,080 --> 00:27:14,080
There's never a limit to the amount of knowledge

566
00:27:14,080 --> 00:27:16,080
you can acquire about this place.

567
00:27:16,080 --> 00:27:18,080
Well, I just want to say, man, thank you for having us out.

568
00:27:18,080 --> 00:27:19,080
I look forward to getting back here.

569
00:27:19,080 --> 00:27:21,080
Oh, well, thank you so much for coming.

570
00:27:21,080 --> 00:27:23,080
I'm very glad you came to Bell Court.

571
00:27:23,080 --> 00:27:25,080
All right, come on, let's get out of here.

572
00:27:25,080 --> 00:27:29,080
Having heard and seen the evidence provided by TAPS,

573
00:27:29,080 --> 00:27:32,080
it sort of supports the belief that some people have

574
00:27:32,080 --> 00:27:34,080
that Mr. Tinney might still be around.

575
00:27:34,080 --> 00:27:37,080
He loved this house, and he loved his antiques,

576
00:27:37,080 --> 00:27:40,080
and it's a wonderful place, even if you're gone.

577
00:27:42,080 --> 00:27:44,080
I think that went really well.

578
00:27:44,080 --> 00:27:46,080
I think it's a great thing,

579
00:27:46,080 --> 00:27:48,080
the fact that we got back there to investigate

580
00:27:48,080 --> 00:27:50,080
all the activity we caught.

581
00:27:50,080 --> 00:27:52,080
You know, you and I were under the same agreement

582
00:27:52,080 --> 00:27:54,080
10 years ago that the place was haunted,

583
00:27:54,080 --> 00:27:56,080
and I think we're under the same agreement now.

584
00:27:56,080 --> 00:27:58,080
But the place has got activity.

585
00:27:58,080 --> 00:28:00,080
The difference is we came with a whole

586
00:28:00,080 --> 00:28:02,080
boatload of new equipment compared to when we were here

587
00:28:02,080 --> 00:28:04,080
last time, so, all in all, brother.

588
00:28:04,080 --> 00:28:06,080
You know what, great job, man.

589
00:28:06,080 --> 00:28:08,080
Yes, on to the next.

590
00:28:08,080 --> 00:28:10,080
Yeah.

591
00:28:14,080 --> 00:28:16,080
Welcome.

592
00:28:16,080 --> 00:28:18,080
Hey, Jason, nice to meet you.

593
00:28:18,080 --> 00:28:20,080
How are you doing?

594
00:28:20,080 --> 00:28:22,080
So what's some of the history here?

595
00:28:22,080 --> 00:28:24,080
Well, this building's been in my family since 1939.

596
00:28:24,080 --> 00:28:26,080
My great-grandfather pioneered it,

597
00:28:26,080 --> 00:28:28,080
along with several other bowling alleys in the

598
00:28:28,080 --> 00:28:30,080
greater Boston area.

599
00:28:30,080 --> 00:28:32,080
Now, we hear there's a lot of paranormal activity going on here.

600
00:28:32,080 --> 00:28:34,080
Well, my employees seem to think that there's

601
00:28:34,080 --> 00:28:36,080
some weird things happening after hours.

602
00:28:36,080 --> 00:28:38,080
I'm as curious as you are.

603
00:28:38,080 --> 00:28:40,080
I've definitely heard some funky stuff at night.

604
00:28:40,080 --> 00:28:42,080
Yeah.

605
00:28:42,080 --> 00:28:44,080
So, you want to show us around or show us the hot spots

606
00:28:44,080 --> 00:28:46,080
that they're claiming?

607
00:28:46,080 --> 00:28:48,080
Sure.

608
00:28:48,080 --> 00:28:50,080
The desk area is interesting because I did have an

609
00:28:50,080 --> 00:28:52,080
employee that quit because every time he closed the night,

610
00:28:52,080 --> 00:28:54,080
he felt like there was somebody behind him,

611
00:28:54,080 --> 00:28:56,080
and he thought he felt breathing on his neck.

612
00:28:56,080 --> 00:28:58,080
One night, working the counter with a register

613
00:28:58,080 --> 00:29:00,080
as facing the lanes, I remember seeing a dark

614
00:29:00,080 --> 00:29:02,080
shadow come across my face

615
00:29:02,080 --> 00:29:04,080
about 15 feet in front of me,

616
00:29:04,080 --> 00:29:06,080
and I turned and there was nothing there.

617
00:29:06,080 --> 00:29:08,080
So, this is basically where our mechanic

618
00:29:08,080 --> 00:29:10,080
hangs out.

619
00:29:10,080 --> 00:29:12,080
Our office where we keep a lot of our mechanical parts

620
00:29:12,080 --> 00:29:14,080
for the bowling machines.

621
00:29:14,080 --> 00:29:16,080
This office used to be the

622
00:29:16,080 --> 00:29:18,080
home, so to speak,

623
00:29:18,080 --> 00:29:20,080
of an employee that worked here for several years.

624
00:29:20,080 --> 00:29:22,080
His name was Charlie. I mean, the guy lived in here.

625
00:29:22,080 --> 00:29:24,080
He had a hot plate. He had his TV.

626
00:29:24,080 --> 00:29:26,080
He had his recliner. When he was working for us,

627
00:29:26,080 --> 00:29:28,080
he was probably, you know, almost 90 years old.

628
00:29:28,080 --> 00:29:30,080
He didn't pass here, but

629
00:29:30,080 --> 00:29:32,080
we think that maybe if there is a problem

630
00:29:32,080 --> 00:29:34,080
in this room, it might be the ghost of Charlie.

631
00:29:34,080 --> 00:29:36,080
What kind of stuff happens in here?

632
00:29:36,080 --> 00:29:38,080
Barbara, actually, my day employee,

633
00:29:38,080 --> 00:29:40,080
she walks in the room. She

634
00:29:40,080 --> 00:29:42,080
says she hears, like, weird, like,

635
00:29:42,080 --> 00:29:44,080
breathing sounds, and it freaks her out

636
00:29:44,080 --> 00:29:46,080
to the point where, like, she comes in and grabs

637
00:29:46,080 --> 00:29:48,080
what she needs and gets the lad of here.

638
00:29:48,080 --> 00:29:50,080
Alright, so what goes on here?

639
00:29:50,080 --> 00:29:52,080
Some weird stuff has been reported.

640
00:29:52,080 --> 00:29:54,080
I mean, like, for instance, you see these ball returns here.

641
00:29:54,080 --> 00:29:56,080
There was nobody left in the

642
00:29:56,080 --> 00:29:58,080
place. There was a ball that

643
00:29:58,080 --> 00:30:00,080
randomly came back from the machines

644
00:30:00,080 --> 00:30:02,080
with all the machines

645
00:30:02,080 --> 00:30:04,080
off and just rolled right up

646
00:30:04,080 --> 00:30:06,080
to the ball return area.

647
00:30:06,080 --> 00:30:08,080
Alright, so where to now? I'd like to take you guys

648
00:30:08,080 --> 00:30:10,080
back behind the lanes. It's a little

649
00:30:10,080 --> 00:30:12,080
hairy back there. Let's do it. Alright, let's go check it out.

650
00:30:12,080 --> 00:30:14,080
So what goes on back here?

651
00:30:14,080 --> 00:30:16,080
So this is kind of the heart and soul

652
00:30:16,080 --> 00:30:18,080
of the place. This is where, like, a lot

653
00:30:18,080 --> 00:30:20,080
of my employees are claiming they

654
00:30:20,080 --> 00:30:22,080
hear mostly noises.

655
00:30:22,080 --> 00:30:24,080
Heard of children's voices

656
00:30:24,080 --> 00:30:26,080
of playing, and after the grate

657
00:30:26,080 --> 00:30:28,080
was pulled down, closing up, hearing

658
00:30:28,080 --> 00:30:30,080
pins fall inside.

659
00:30:30,080 --> 00:30:32,080
There are other noises that have no rhyme

660
00:30:32,080 --> 00:30:34,080
or reason, namely the footsteps,

661
00:30:34,080 --> 00:30:36,080
the creaking of the boards. That, it's just

662
00:30:36,080 --> 00:30:38,080
spooky, especially when it, and I kind of

663
00:30:38,080 --> 00:30:40,080
make sure you want to get out of here quicker.

664
00:30:40,080 --> 00:30:42,080
What we're going to do from here is we're going to go talk

665
00:30:42,080 --> 00:30:44,080
to the rest of the crew and start setting up the equipment.

666
00:30:44,080 --> 00:30:46,080
Go from there. Great. Alright, good luck.

667
00:30:46,080 --> 00:30:48,080
Thank you. Thank you. Alright.

668
00:30:48,080 --> 00:30:50,080
I'm

669
00:30:50,080 --> 00:30:52,080
glad that TAPS

670
00:30:52,080 --> 00:30:54,080
has showed up to duck during an investigation

671
00:30:54,080 --> 00:30:56,080
because I'd like to get to the bottom

672
00:30:56,080 --> 00:30:58,080
of things so that I can put my employees' minds

673
00:30:58,080 --> 00:31:00,080
at ease. And my, my own.

674
00:31:00,080 --> 00:31:02,080
Alright guys, just one camera here.

675
00:31:02,080 --> 00:31:04,080
Okay. Cool. The camera will go right in that corner.

676
00:31:04,080 --> 00:31:06,080
Okay. Cool. We've done a lot of theaters

677
00:31:06,080 --> 00:31:08,080
in our past, and this has the same feeling.

678
00:31:08,080 --> 00:31:10,080
Just one large room, it's very difficult

679
00:31:10,080 --> 00:31:12,080
to investigate. We'll probably only be able to

680
00:31:12,080 --> 00:31:14,080
put one team in here at a time to honestly

681
00:31:14,080 --> 00:31:16,080
investigate without contamination.

682
00:31:18,080 --> 00:31:20,080
There you go. So, you all set?

683
00:31:20,080 --> 00:31:22,080
Yeah, we're all set. If you're good, we'll take a peek.

684
00:31:22,080 --> 00:31:24,080
Camera one is the bowling alley.

685
00:31:24,080 --> 00:31:26,080
He did say that the balls would come down

686
00:31:26,080 --> 00:31:28,080
on their own, and some pins would knock down.

687
00:31:28,080 --> 00:31:30,080
We'll capture that if that's in there. Camera two

688
00:31:30,080 --> 00:31:32,080
is behind the actual lanes, and this is the

689
00:31:32,080 --> 00:31:34,080
whole mechanics of the place, and they claim that

690
00:31:34,080 --> 00:31:36,080
the pins will slide down the conveyor and the ball

691
00:31:36,080 --> 00:31:38,080
will be released on its own. Camera three

692
00:31:38,080 --> 00:31:40,080
is this little workspace, and I remember

693
00:31:40,080 --> 00:31:42,080
they said they felt uncomfortable in there,

694
00:31:42,080 --> 00:31:44,080
and they think that the ghost of their old

695
00:31:44,080 --> 00:31:46,080
mechanic is in there. Well, awesome. Let's just

696
00:31:46,080 --> 00:31:48,080
get digitally co-ordered to all the cameras. Let's go

697
00:31:48,080 --> 00:31:50,080
lights out. You guys ready for this? Ready? Yeah.

698
00:31:50,080 --> 00:31:52,080
Sounds good, guys.

699
00:31:52,080 --> 00:31:58,080
Music

700
00:31:58,080 --> 00:32:00,080
Ready. Here we go. All right.

701
00:32:00,080 --> 00:32:02,080
This is the bowling alley.

702
00:32:02,080 --> 00:32:04,080
You want to shoot some racks? That'd be cool.

703
00:32:04,080 --> 00:32:08,080
The thing is, this was a pool hall for so many years.

704
00:32:08,080 --> 00:32:10,080
Only people in here start playing some pool.

705
00:32:10,080 --> 00:32:12,080
Let's see what happens.

706
00:32:12,080 --> 00:32:14,080
Let's do some EVP work.

707
00:32:14,080 --> 00:32:16,080
All right. This is Jay Braykin.

708
00:32:16,080 --> 00:32:18,080
I'm Grant. Welcome to join us.

709
00:32:18,080 --> 00:32:20,080
Just come near the table, and we'll know you're here.

710
00:32:20,080 --> 00:32:22,080
We can talk, play some pool.

711
00:32:22,080 --> 00:32:24,080
That's the open table. Do it up.

712
00:32:24,080 --> 00:32:26,080
If you want to join us, just come

713
00:32:26,080 --> 00:32:28,080
stand over it right over here.

714
00:32:28,080 --> 00:32:30,080
Just look at the talk with you.

715
00:32:30,080 --> 00:32:32,080
Maybe shoot some pool with you.

716
00:32:32,080 --> 00:32:34,080
Ooh.

717
00:32:34,080 --> 00:32:36,080
Come on, the lights right here.

718
00:32:36,080 --> 00:32:38,080
Come join us. Oh, shoot. Look.

719
00:32:38,080 --> 00:32:40,080
We're getting it. We're getting it.

720
00:32:40,080 --> 00:32:44,080
Music

721
00:32:44,080 --> 00:32:50,080
Music

722
00:32:50,080 --> 00:32:56,080
Music

723
00:32:56,080 --> 00:33:02,080
Music

724
00:33:02,080 --> 00:33:08,080
Music

725
00:33:08,080 --> 00:33:12,080
Music

726
00:33:12,080 --> 00:33:18,080
Music

727
00:33:18,080 --> 00:33:24,080
Music

728
00:33:24,080 --> 00:33:30,080
Music

729
00:33:30,080 --> 00:33:36,080
Music

730
00:33:36,080 --> 00:33:40,080
Music

731
00:33:40,080 --> 00:33:46,080
Music

732
00:33:46,080 --> 00:33:52,080
Music

733
00:33:52,080 --> 00:33:58,080
Music

734
00:33:58,080 --> 00:34:04,080
Music

735
00:34:04,080 --> 00:34:08,080
Music

736
00:34:08,080 --> 00:34:14,080
Music

737
00:34:14,080 --> 00:34:16,080
Music

738
00:34:16,080 --> 00:34:20,080
Music

739
00:34:20,080 --> 00:34:26,080
Music

740
00:34:26,080 --> 00:34:32,080
Music

741
00:34:32,080 --> 00:34:36,080
Music

742
00:34:36,080 --> 00:34:38,080
Music

743
00:34:38,080 --> 00:34:42,080
Music

744
00:34:42,080 --> 00:34:48,080
Music

745
00:34:48,080 --> 00:34:56,080
Music

746
00:34:56,080 --> 00:35:00,080
Music

747
00:35:00,080 --> 00:35:04,080
Music

748
00:35:04,080 --> 00:35:10,080
Music

749
00:35:10,080 --> 00:35:16,080
Music

750
00:35:16,080 --> 00:35:22,080
Music

751
00:35:22,080 --> 00:35:28,080
Music

752
00:35:28,080 --> 00:35:32,080
Music

753
00:35:32,080 --> 00:35:38,080
Music

754
00:35:38,080 --> 00:35:44,080
Music

755
00:35:44,080 --> 00:35:50,080
Music

756
00:35:50,080 --> 00:35:56,080
Music

757
00:35:56,080 --> 00:36:00,080
Music

758
00:36:00,080 --> 00:36:06,080
Music

759
00:36:06,080 --> 00:36:12,080
Music

760
00:36:12,080 --> 00:36:18,080
Music

761
00:36:18,080 --> 00:36:24,080
Music

762
00:36:24,080 --> 00:36:28,080
Music

763
00:36:28,080 --> 00:36:34,080
Music

764
00:36:34,080 --> 00:36:40,080
Music

765
00:36:40,080 --> 00:36:46,080
Music

766
00:36:46,080 --> 00:36:52,080
Music

767
00:36:52,080 --> 00:36:56,080
Music

768
00:36:56,080 --> 00:37:02,080
Music

769
00:37:02,080 --> 00:37:08,080
Music

770
00:37:08,080 --> 00:37:14,080
Music

771
00:37:14,080 --> 00:37:20,080
Music

772
00:37:20,080 --> 00:37:24,080
Music

773
00:37:24,080 --> 00:37:28,080
Music

774
00:37:28,080 --> 00:37:32,080
Music

775
00:37:32,080 --> 00:37:36,080
Music

776
00:37:36,080 --> 00:37:42,080
Music

777
00:37:42,080 --> 00:37:48,080
Music

778
00:37:48,080 --> 00:37:52,080
Music

779
00:37:52,080 --> 00:37:58,080
Music

780
00:37:58,080 --> 00:38:04,080
Music

781
00:38:04,080 --> 00:38:10,080
Music

782
00:38:10,080 --> 00:38:16,080
Music

783
00:38:16,080 --> 00:38:20,080
Music

784
00:38:20,080 --> 00:38:24,080
Music

785
00:38:24,080 --> 00:38:28,080
Music

786
00:38:28,080 --> 00:38:34,080
Music

787
00:38:34,080 --> 00:38:40,080
Music

788
00:38:40,080 --> 00:38:44,080
Music

789
00:38:44,080 --> 00:38:48,080
Music

790
00:38:48,080 --> 00:38:54,080
Music

791
00:38:54,080 --> 00:39:00,080
Music

792
00:39:00,080 --> 00:39:06,080
Music

793
00:39:06,080 --> 00:39:12,080
Music

794
00:39:12,080 --> 00:39:16,080
Music

795
00:39:16,080 --> 00:39:22,080
Music

796
00:39:22,080 --> 00:39:28,080
Music

797
00:39:28,080 --> 00:39:34,080
Music

798
00:39:34,080 --> 00:39:40,080
Music

799
00:39:40,080 --> 00:39:44,080
Music

800
00:39:44,080 --> 00:39:50,080
Music

801
00:39:50,080 --> 00:39:56,080
Music

802
00:39:56,080 --> 00:40:02,080
Music

803
00:40:02,080 --> 00:40:08,080
Music

804
00:40:08,080 --> 00:40:12,080
Music

805
00:40:12,080 --> 00:40:18,080
Music

806
00:40:18,080 --> 00:40:22,080
Music

807
00:40:22,080 --> 00:40:26,080
Music

808
00:40:26,080 --> 00:40:32,080
Music

809
00:40:32,080 --> 00:40:36,080
Music

810
00:40:36,080 --> 00:40:40,080
Music

811
00:40:40,080 --> 00:40:46,080
Music

812
00:40:46,080 --> 00:40:52,080
Music

813
00:40:52,080 --> 00:40:58,080
Music

814
00:40:58,080 --> 00:41:04,080
Music

815
00:41:04,080 --> 00:41:08,080
Music

816
00:41:08,080 --> 00:41:14,080
Music

817
00:41:14,080 --> 00:41:20,080
Music

818
00:41:20,080 --> 00:41:26,080
Music

819
00:41:26,080 --> 00:41:32,080
Music

820
00:41:32,080 --> 00:41:36,080
Music

821
00:41:36,080 --> 00:41:40,080
Music

822
00:41:40,080 --> 00:41:44,080
Music

823
00:41:44,080 --> 00:41:48,080
Music

824
00:41:48,080 --> 00:41:54,080
Music

825
00:41:54,080 --> 00:41:58,080
Music

826
00:41:58,080 --> 00:42:02,080
Music

827
00:42:02,080 --> 00:42:08,080
Music

828
00:42:08,080 --> 00:42:14,080
Music

829
00:42:14,080 --> 00:42:20,080
Music

830
00:42:20,080 --> 00:42:26,080
Music

831
00:42:26,080 --> 00:42:30,080
Music

832
00:42:30,080 --> 00:42:36,080
Music

833
00:42:36,080 --> 00:42:42,080
Music

834
00:42:42,080 --> 00:42:48,080
Music

835
00:42:48,080 --> 00:42:52,080
Music

836
00:42:52,080 --> 00:42:56,080
Music

837
00:42:56,080 --> 00:42:58,080
Music

838
00:42:58,080 --> 00:43:04,080
Music

839
00:43:04,080 --> 00:43:10,080
Music

840
00:43:10,080 --> 00:43:16,080
Music

841
00:43:16,080 --> 00:43:22,080
Music

842
00:43:22,080 --> 00:43:26,080
Music

843
00:43:26,080 --> 00:43:34,080
Music

844
00:43:34,080 --> 00:43:42,080
Music